The Life and Works of Bertolt Brecht Essay -- Theatre Practitioner Dra

The Life and Works of Bertolt BrechtIn this leaven I impart weigh the breeding and works of Bertolt Brecht,the famous domain practitioner who has had such a dramatic impact onour grounds of the flying field and acting. First of all I entrust givea biography of Brecht because it is important to know the backgroundof his breeding in identify to understand the motives he had for writing andproducing plays in the delegacy he did. We will see a direct correlationbetween events in his life and the plays and techniques that hepropagated. I will then move to explore the methods and techniquesthat Brecht developed, feel at how they came about and whoinfluenced his work. I will look at Brechts scheme of larger-than-life theatre,tracing the beginnings of this style and looking at the influencesthat may obtain helped to form it. To get a clear view of what Epictheatre is like I will compare it to dramatic theatre, which Brechtdid himself, in regard to how the consultation react s to it. I willexamine Brechts theory of using Montage and the effect that heintended to have on the audience. I will consider the origination ofVerfremdungseffekt and how this was not an original persuasion of Brechtsbut something that he identified with because it supported his ideas.Geste was the technique that Brecht treasured actors to use whenportraying a character, I will examine what geste is and what may haveinfluenced Brecht to use it. Music for Brecht was a vital part oftheatre and I will look at what interested him about using music andthe role of music in his Epic theatre. I will consider Brechts ideasof what stage design should be like and how he viewed it as somethingseparate to the school text and the music. Brecht was a semipolitical writer and aft(prenominal) reading the works of Karl Marx he wrote and produced didacticplays that reflected the philosophy of communism. Brecht wanted to contract the audience in the debates that he presented in the text andin thi s expression the audience would learn about the arguments and be ableto come to an aware conclusion of what they thought. The plays thatdid this are called The Lehrstuck or Learning Plays and I willconsider how they were presented in order to involve the audience andget them to respond.Brecht was born in 1898 to a middle class family in the south ofGermany. In his teen years the First World War broke out and ... ... was soagainst. In the writings of Karl Marx he found a philosophy that reverberate his and he began to write more vigorously to inspirepolitical change. His flavor was that the oppressed poor people had tobe inspired to fight for political change and at that placeby relieve theirsuffering. These plays were written for a music festival and they tookplace on a very open stage, which allowed more audience involvement.Behind the stage there was a projection screen which displayed thetext and invited the audience to join in by singing along. Sometimesthere would be act ors in the audience to lead the audience response.In this way Brecht hoped to involve the audience in the politicaldebates within the text.Throughout his life Brecht collaborated with other writers, musicians,directors and designers. His work was always an amalgamation ofefforts and yet he managed to margin call it as his own. By the end of hislife he was a atomic number 82 figure in theatre his productions had changedthe way people viewed theatre because of their forward-looking ideas anddetailed acting and design. Through exploring Brechts work I havelearnt more about the theatre, its origins and its potential.