What representations of disability are offered in "The Elephant Man" (1980)?

The Elephant Man is target in 1980, in the Victorian landmark where circus shows containing circus freaks were common. The text begins with a montage of sad and provocative compasss, coupled with pounding and eerie music creating an upset atmosphere connoting the horror and thriller genres. The soundtrack is mainly non-diagetic, with exceptions of Merricks diagetic breathing to show his nervousness, even creating a sinister kitchen stove of the film in the minds of the sense of hearing. Adding to this image is the shock and horror of the audience of the circus show, causing the elephant mans element to be closed. The police presence creates a dark image, indicating danger. This could hypothecate the audiences views of physically and mentally handicapped people at the creative thinker of conviction the film was made, as most people at the age would have viewed them as dangerous and as outcasts. An closed book principle is created throughout the first half of the f ilm, as the audience do not see the Elephant Man ( ass Merrick) directly. The film creation shot in wispy and white reflects the Victorian geological era the film is set in, and it reflects the black and white views of disabled people of the era. The audience ar positioned to empathize with earth-closet Merrick, and to take note of how he is treat by those in his life.

Before Treeves takes Merrick on as his project, Merrick is eternally shown in the dark, and cover up, whereas Treeves is shown in light and is a truly successful doctor. David kill has used Barthes theory of Binary underground throughout the film, with the black and white film, the dar! k and light of John Merrick and Dr Treeves and the views of good and monstrous in the film. The typical freak stereotype of disabled people is shown clearly throughout the... If you want to get a full essay, enounce it on our website: OrderCustomPaper.com

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